Most people in the society are portrayed as ignorant, conservative and racists. Color is used to portray the main theme of the movie.
In this case, there is no exposure and all the information known by the people is basic knowledge. After a period of time this kind of perception changes due to the presence of a catalyst inform of Mary-Sue and David who interact with the people of Pleasantville through different activities such as music, camera, color use and film making erasing their original values and bringing in different values away from what was.
There are scenes are portrayed in Pleasantville as being in black and white which is symbolic of simplicity since there were no shades of either grey or other colors. There are several early appearances of color in the movie that include the red rose at Lover's Lane, the pink bubblegum in the hallway; the girl's pink tongue; the red hearts of the cards, the subtle green of the car, the pink cherry blossoms, and the subtle green of the grass at Lover's Lane before it turns entirely colorized.
When color was introduced within the film, it signified the change where the simplicity of the Pleasantville had been broken. Things were being made more complicated and clearer through the visual effects brought about by color. This became the first sign of change in the movie with the color red symbolizing romance.
This was seen on the first date that Mary-Sue goes with Skip where later Skip sees a red rose flower. This was used to symbolize the passions, love and lust that were believed not to exist in the s in the history of America even though they did but were not accepted.
Another scene begins with David putting on black and white make-up on his mother.
To be realistic he was only trying to associate himself with the conservative people and seem innocent. Since innocence was associated with stupidity, his actions are considered not realistic, unintelligent and smart. Another clear example that portrays the scenes of black and white was the one where Bud brings Mr.
Johnson an art book. Johnson sees a painting of Adam and Eve sent away from the Garden of Eden. He comments on where he will be able to see such colors since they are not lucky to do so. This means that everyone is lucky to have different colors that were seen as the experience of sin associated with color except for a few cases.
In relation to the scene, Mr. Johnson has not experienced different colors. He is still conservative only knowing color black and white.
In the discussion Betty has with Mr. Johnson, he explains a Picasso as a woman who is resting while Betty contradicts him and says the woman is crying. Even though they have different views, we find that they are both right according to modern art Philosophy.
From the Picasso, the only one to give meaning to it is a human being depending on the meaning and explanation. This shows that through the assumption the world as unintelligible by itself and it has no meaning.
It further explains that man projects meaning into the world. This brings us to the message of the movie that indicates that there is nothing as simple as black and white.
Johnson and Betty later acquire color in the form of an adulterous relationship that we are not entirely sure. This is seen from where she poses naked after she leaves her husband to hustle for himself. Mary Sue acquires the color she has been searching for even though her mission.
This was not to have sex but to show others how to do it through the discovery of the world of literature. At the end of the movie, she does remark that her previous characters are long gone.
This is not the case since she hooks up with David and does not attend University.
This clearly implies that higher education in the s is of lower standards. She has no regret for her misuse and abuse of Skip but blames it on her behavior simply getting old.
Bud and Mary Sue disrupt the Pleasantville universe with the two extremely rebellious acts that included sex and reading.The film Pleasantville directed by Gary Ross is about two modern teenagers, David and his sister Jennifer, somehow being transported into the television, ending up in Pleasantville, a s black and white sitcom.
The Stylistic Conventions of Pleasantville - The Stylistic Conventions of Pleasantville Pleasantville is a film that uses stylistic conventions to help anchor the ideas suggested by the plot and reinforce the meaning of the text. ESSAY SAMPLE ON Film Techniques in Pleasantville TOPICS SPECIFICALLY FOR YOU Order now Otherwise citizens live within the community will start to be suspicious that the rule they live with are not the best rules for them and they will start complaining.
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Film Analysis of the Movie Pleasantville. In the movie Pleasantville two teenagers from the ’s, David and Jennifer, enter into a television show that .